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・ The Girl and the Dreamcatcher
・ The Girl and the Gambler
・ The Girl and the General
・ The Girl and the Greaser
・ The Girl and the Millionaire
・ The Girl and the Oak
・ The Girl and the Outlaw
・ The Girl and the Press Photographer
・ The Girl and the Robot
・ The Girl at Home
・ The Girl at the Lion d'Or
・ The Girl at the Reception
・ The Girl Behind the Counter
・ The Girl Bunnies
・ The Girl by the Lake
The Girl Can't Help It
・ The Girl Can't Help It (disambiguation)
・ The Girl Can't Help It (song)
・ The Girl Cat
・ The Girl Chewing Gum
・ The Girl Dodger
・ The Girl Downstairs
・ The Girl Friend
・ The Girl from 10th Avenue
・ The Girl from Alaska
・ The Girl from Amalfi
・ The Girl from B.I.K.I.N.I.
・ The Girl from Barnhelm
・ The Girl from Calgary
・ The Girl from Capri


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The Girl Can't Help It : ウィキペディア英語版
The Girl Can't Help It

''The Girl Can't Help It'' is a 1956 musical comedy starring Jayne Mansfield in the titular role, Tom Ewell, Edmond O'Brien, Henry Jones, and Julie London. The picture was produced and directed by Frank Tashlin, with a screenplay adapted by Tashlin and Herbert Baker from an uncredited 1955 novel ''Do Re Mi'' by Garson Kanin. The movie was originally intended as a vehicle for the American sex symbol Jayne Mansfield, with a satirical subplot involving teenagers and rock 'n' roll music. The unintended result has been called the "most potent" celebration of rock music ever captured on film.
The original music score, including a title song performed by Little Richard, was by Bobby Troup, with an additional credit to Ray Anthony for the tune "Big Band Boogie". Tom Ewell had portrayed Marilyn Monroe's leading man in ''The Seven Year Itch'' the previous year.
==Plot==
A slot-machine mobster, Marty "Fats" Murdock (Edmond O'Brien), wants his blonde girlfriend, Jerri Jordan (Jayne Mansfield), to be a singing star, despite her seeming lack of talent. He hires alcoholic press agent Tom Miller (Tom Ewell) to promote Jordan, both because of his past success with the career of singer Julie London (a fiction of the script) and because he never makes sexual advances towards his female clients.
Miller sets to work by showing Jordan off around numerous night spots; his machinations arouse interest in Jordan and soon offers of contracts follow. However, Miller realizes that Jordan really just wants to be a homemaker and tries to persuade Murdock not to push Jordan into a show-business career. He thinks he's succeeded when he reveals to Murdock that Jordan's singing is so bad it shatters light bulbs, but Murdock suggests that Jordan would be perfect for a song he (Murdock) composed while in prison. Miller reluctantly records Jordan performing the part of a prison siren in Murdock's song and heads to Chicago to promote it to Wheeler (John Emery), a former mob rival of Murdock who now has a monopoly over the jukebox industry.
Suspicious of Miller's reluctance to promote Jordan and of the obvious attraction between Miller and Jordan, Murdock has his associate Mousie (Henry Jones) wiretap a phone call between the pair. Feeling pity for them, Mousie edits out the romantic portions of their conversations and convinces Murdock that their relationship is strictly business.
In Chicago, Wheeler is impressed by the song and Jordan's voice and offers to sign both Jordan and the song writer. However, when Miller reveals that the song writer is Murdock, Wheeler throws him out of his office and vows never to play the song. A furious Murdock bullies bar owners into buying jukeboxes from him instead and successfully promotes his and Jordan's song. To prevent Murdock from stealing his business, Wheeler arranges to have Murdock assassinated at the rock show where Jordan will be making her debut.
On his way to the show, Murdock confesses to Mousie that he doesn't want to marry Jordan. Mousie confesses that he altered the tape of Jordan and Miller's phone call and encourages Murdock to let Jordan marry Miller. Backstage at the show, Jordan confesses her love to Miller and they kiss. Jordan also admits that she is a talented singer, who lied because she did not want a show business career; she goes on stage and performs a song about her love for Miller. When Murdock arrives, Miller declares to him that he and Jordan are in love; the delighted Murdock surprises Miller by shaking his hand and offering to be the best man.
Before Miller and Murdock can tell Jordan the good news, Wheeler's assassins shoot at Murdock. Miller fights them off and shoves Murdock on stage to perform his song, reasoning that the assassins won't shoot Murdock in front of so many witnesses. Wheeler arrives and, impressed by the audience's response to Murdock, calls off the assassination and signs Murdock instead. The film ends with Miller and Jordan kissing on their honeymoon, as Murdock and Mousie perform on a TV show in the background.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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